", When they deviate from the formula, results are a mixed bag. Thankfully, Coldplay’s eighth studio effort, mostly brings the stakes back down to Earth, and the smaller scale allows them to tinker more freely with their sound. Martin and his bandmates — bassist Guy Berryman, guitarist Jonny Buckland, and drummer Will Champion — have never concerned themselves with the backlash that comes from being unabashedly sincere. “I worship in your church, baby, always,” may signal the particular spiritual sanctuary afforded to Martin by his lover, but the meeting of Eastern and Western sounds alludes to a globalised acceptance of different religions. But by the 2010s, Coldplay’s output increasingly focused on pop production at the expense of every non-Chris Martin member, leaving the more baffling couplets on songs like “Everglow” from 2015’s A Head Full of Dreams—“Like a lion you ran, a goddess you rolled/Like an eagle you circled, in perfect purple”—with nowhere to hide. The result is their best album since 2011’s. Those two stick out from the rest of the record, but that’s not a bad thing. Before they became one of the biggest bands in the world, Coldplay built their brand on heartfelt, direct messaging: “The truth is, I miss you,” “I will try to fix you,” “I never meant to cause you trouble.” But if they’re used to simple, they’re not anymore. Norah Shaqur, meanwhile, makes for a stunning guest spot singing in Arabic verse. What follows is the album’s best track. “Guns” starts out worryingly Mumford-y, but Martin’s vocalizations lean instead toward classic country in a way that’s endearing instead of grating. From a record company’s perspective, the ideal next step for Coldplay is rushing out a straightforward pop album, which is reportedly their plan. … The result is their best album since 2011’s Mylo Xyloto, and their most provocative work to date. The cut is but the latest example of Coldplay’s consistent yet uncanny ability to craft irresistibly catchy tunes that are built to be belted out by massive crowds. Read Next: Warner Music’s ADA Launches in Japan, Grateful Dead’s Bob Weir, Congressman Mike Thompson Rally Support for Indie Venues and Save Our Stages Act, Album Review: Bright Eyes’ ‘Down in the Weeds, Where the World Once Was’, Haim’s ‘Women in Music Pt. Opener ‘Sunrise’ sets the tone beautifully with a major/minor string arrangement that could be from a war film soundtrack – not the work of one of the planet’s biggest bands. Thankfully, Coldplay’s eighth studio effort, Everyday Life, mostly brings the stakes back down to Earth, and the smaller scale allows them to tinker more freely with their sound. It’s the challenge they face on their new double album, Everyday Life.

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