Forget musical typing and hit the right notes – without spending all your banknotes. Regular readers of MusicTech reviews will know we’ve always had a soft spot for ribbon microphones. This microphone was used across 2 days for a video demo (coming soon!) A care sheet supplied with the mic recommends using a pop filter when recording vocals to prevent sudden blasts of air damaging the ribbon, and recommends avoiding use directly in front of a kick drum. Finally, the SR-2N stereo mic really blended well with the other two mics in use in the testing. It’s the most wonderful time of the year for your plug-in folder. Watch this listing to get price drop alerts. The RM-6 is also available as a DIY kit. Developed by the BBC in the 1950s, the Coles 4038 is the archetypal ribbon mic and is found in studios up and down the country to this day. Thanks to its dark, coloured tone, the SR-2N is a perfect match for any bright instruments, to help them sit further back in the mix. Send it back. Despite being a tube preamp, the LA-610 is remarkably transparent and has a fair whack of gain – suitable for quiet ribbon microphones. In addition to this, the SR-2N can also be used to ‘age’ a performance; to give a vintage voice to the recording. Reverb Protection has you covered. We are here to help. We ran the mic into a UA LA-610 preamp with the compressor stage in bypass. All the features of the Moog Concertmate MG-1 wrapped up in an attractive interface. We’ve also had good results using ribbons on acoustic string instruments, brass and even some vocalists. Similarly, ribbon mics as overheads can make even the most shrill cymbals sit in a mix without any additional work. Comparison of the Stager Microphones Stereo SR-2N and AEA R-88 Filmed at Studio 2300 East Nashville, TN. Slate Digital's new exciter based on the Dolby-A trick is a quick way to add excitement to tracks and mixes. If you’re looking for a handmade ribbon mic from this side of the Atlantic, then Artur Fisher’s RM-6 is hand-crafted in Riga, Latvia and uses a 1.8-micron ribbon motor like the Stager SR-2N. 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However, this was still with the compression stage bypassed. The Stager SR-2N uses a 0.6-micron large ribbon powered by neodymium motor and a toroidal output transformer in a simplified housing and mount. The Stager SR-2N Ribbon Microphone's shock mount allows for easy positioning of the mic to the sound source, ensuring you get the image you want, without concerns for stability. Mike Hillier takes to the Stager to find out…. The Stager stereo SR-2N really delivers in this effort. Switching to an acoustic guitar, and placed about a foot from the 12th fret, the dark tone of the SR-2N gave our usually bright Blueridge dreadnought a smoother, more relaxed vibe. Recording Company. and then returned to the box. SR-2N Ribbon Microphone • Mono in front of the drum kit. We take a look inside the Spanish techno artists humble abode. Don't like it? As you’ll have gathered, Stager Microphone’s SR-2N is not a vocal mic for every occasion – in fact, it’s far from it. Our exploration of LiquidSonics’ oeuvre reaches its celestial summit, as we ascend to seventh heaven. This microphone will ship lovingly packed and fully insured within one (1) business day of your order. We are the only Stager dealer that can offer custom colors as "stock." This meant that the signal strength dropped off considerably and we ended up maxing out the level on the LA-610 preamp to get a healthy signal into our DAW. That stereo version was subsequently added to the Stager line. Compared to the classic Shure SM57, the Stager has a distinctly warmer sound, focused around the low mids, with a lot less top-end fizz, and no hint of the upper-mid bump on the SM57. The proximity effect was noticeably strong here and we ended up using a second mic stand for the pop-shield to guarantee the singer kept a good foot away from the mic at all times. Why, exactly? Oops, looks like you forgot something. The Stager SR-2N is the second of Matt Stager’s ribbon-microphone designs, alongside the larger SR-1A. A ribbon microphone is never going to have the flexibility of a high-quality multi-pattern condenser, nor the instant “shove it in front of the source and hit record” quality of a great moving-coil dynamic microphone. Despite being a tiny amp, the signal coming from the SR-2N sounded immense. We are more than pleased -- elated, even -- to offer this exclusive finish on one of our favorite microphones, period. We own at least one (and usually a pair) of each model and if you wind up at our collective funeral and don't see them all in the casket, it's because someone robbed us. International shipping is also fine so long as you message us beforehand with your postal code and desired shipping method so we can push you an offer with an exact shipping cost. Guitars, drum overheads and brass instruments will all benefit from the SR-2N’s reduced top-end response. These are ideal amplifier mics, and absolutely killer drum overheads that can be found in the arsenals of a number of studios and touring rigs around the world. There’s something magical about the natural, huge bass response and smooth high-end rolloff that colours signals in such an obvious, but easily usable way that appeals to our recording sensibilities. The pickup pattern is symmetrical, unlike some modern ribbon mics with an offset ribbon. According to Matt Stager, the FOH engineer for Carrie Underwood was using two SR-2N mics on tour, inspiring Matt to build a one-off stereo version to facilitate placement. Boasting a higher average output than most ribbon mics, the SR-2N also has a sizable low frequency response with a bit of emphasis in lower midrange, giving some extra muscle and attitude to whatever you're recording. We offer a 15-day nearly-unconditional return policy on everything in our shop. According to Matt Stager, the FOH engineer for Carrie Underwood was using two SR-2N mics on tour, inspiring Matt to build a one-off stereo version to facilitate placement. The Stager SR-2N is a passive ribbon microphone. Send it back. Mint items are in essentially new original condition but have been opened or played. Mercy! Stager Microphones Precision Ribbon Mics Made in Nashville, TN While weighing in at under one pound, the SR-2N crams an inordinate amount of size into the sound of your tracks. We provide a safe community for finding the gear you want. Music theory isn’t the be-all and end-all of becoming a great producer, but a little knowledge can help. We round up some of our favourite sites for fresh, inspiring samples. Time to peer deep at the shifting sonic textures presented by the aptly-named Kaleidoscopes. Following up on our last tutorial about mastering in Live 10, it’s time to dig a bit deeper, and highlight two of the most important and most-used of Live’s mastering devices – Multiband Dynamics and EQ Eight. Something new this way comes. Adding to its boutique authenticity, the SR-2N even comes in a handmade laser-engraved wooden case. Stager Microphones SR-2N Rev 2 Ribbon Microphone *Demo Unit* Mint. Find everything you need to make music. These new cans, courtesy of German manufacturer HEDD, might just represent a more forensic way to monitor our mixes. So when we were sent this new ribbon mic, hand-built in Nashville no less, we couldn’t wait to put it to work in the studio. The case has space for the mic and a fairly utilitarian mic clip, and will suit studio use, but will need to be replaced with something more substantial for any potential live use. Does Waves’ newest multi-layered modulation plug-in offer us maximum sonic colour? For our final recording, we ended up sharing the gain duties between the preamp and compressor stages of the LA-160 and additional gain from an 1176 and an RND 551 EQ, leaving us with plenty room to spare, and a little compression in too, to help smooth things out further. It delivered some more impact to the Beta 52. While weighing in at under one pound, the Stager Microphones SR-2N crams an inordinate amount of size into the sound of your tracks. While the SR-2N features the same large ribbon and custom-wound toroidal transformer (made in-house) as its much larger sibling, the Stager SR-1A, the magnets in the SR-2N are rare-earth, neodymium types. Sales . Combining these two unassuming features can garner inspiring results. Please check the fields highlighted in red. However, a well-placed ribbon mic on an electric-guitar cab can produce a considerably larger-than-life tone, which naturally tames the high-end fizz, and sits in the mix with little to no need for additional EQ or compression. The SR-1A is the more "beautiful" sounding vocal microphone, but the 2N can excel in that application when the voice is right.This microphone is the one that honestly blew up the inexpensive ribbon microphone market and saw every American manufacturer rush to build a model in the sub-$600 price range. Your purchases help youth music programs get the gear they need to make music. On our guitar amp, this wasn’t too important, as the instrument had plenty of level feeding the microphone, but as we progressed through our testing to vocals, we found ourselves maxing out the gain on the preamp to get a healthy level into our DAW. We provide insight and opinion on the gear, tools, software and services to enhance and expand the minds of music makers and listeners. 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