senso film

SENSO begins in Venice’s Teatro La Fenice opera house, and the spirit of opera infuses the picture. FRIDAY OCTOBER 26 – THURSDAY NOVEMBER 8 SENSO Dates/Showtimes: Daily (except SAT/SUN) 12:30, 3:00, 5:30, 8:00 Saturday, October 27 1:00, 3:30, 7:00, 9:25 Sunday, October 28 … There is both the original Italian and the rarely-seen, English language version (THE WANTON COUNTESS) to savor here, along with some insightful extras about Verdi, Visconti and the making of the film. The story of the film is much more faithful to Camillo Boito's work than the earlier adaptation in terms of tone and story, but the action was transported from the War of Unification to the end of World War II, with Remigio becoming a Nazi Lieutenant and Livia updated to being the wife of a high ranking Fascist official. I BOUGHT THIS DVD LAST YEAR AT A VERY HIGH PRICE. During the commotion, she meets a dashing young Austrian Officer named Franz Mahler, and is instantly smitten with him. The restored color was magnificent. Reviewed in the United Kingdom on July 6, 2014. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. There was an error retrieving your Wish Lists. Unable to add item to List. It was released in Italy, then re-edited and messed up for American release. Death in Venice (The Criterion Collection) [Blu-ray], Pierrot le fou (The Criterion Collection) [Blu-ray], The Complete Films of Agnès Varda (The Criterion Collection) [Blu-ray], Toni (The Criterion Collection) [Blu-ray], Purple Noon (Criterion Collection) [Blu-ray], Three Silent Classics by Josef von Sternberg (Underworld / The Last Command / The Docks of New York)(The Criterion Collection) [Blu-ray], Le samouraï (The Criterion Collection) [Blu-ray]. In dieser Zeit spielt in der berühmter Oper La Fenice Verdi's Troubadour (Il trovatore). Starring Alida Valli, Farley Granger. The release includes The Wanton Countess, the rarely seen English-language version of the film, the Making of “Senso,” a new documentary featuring Rotunno, assistant director Francesco Rosi, costume designer Piero Tosi, and Caterina D’Amico, daughter of screenwriter Suso Cecchi D’Amico and author of Life and Work of Luchino Visconti, Viva VERDI, a new documentary on Visconti, Senso, and opera, a visual essay by film scholar Peter Cowie, and Man of Three Worlds: Luchino Visconti, a 1966 BBC program exploring Visconti’s mastery of cinema, theater, and opera direction. The word senso [ˈsɛn.so] is Italian for "sense," "feeling," or "lust." Perhaps should be released as a 2 disc edition because the extra material is so many that the player takes its time to read the disc. Of course it is Region A locked and will only play on multi-region or chipped blu ray recorders in the UK. Senso is a 1954 Italian historical melodrama film, an adaptation of Camillo Boito's Italian novella Senso by the Italian director Luchino Visconti, with Alida Valli as Livia Serpieri and Farley Granger as Lieutenant Franz Mahler. Senso '45 (also known as Black Angel) is an Italian erotic drama film written and directed by Tinto Brass, based on the novella Senso by Camillo Boito, which inspired also Luchino Visconti's 1954 film.. The story opens in the La Fenice opera house in Venice during a performance of Il Trovatore. Senso is set in Italy around 1866, the year the Italian-Austrian war of unification would see the Veneto and most of Friuli-Venezia Giulia united to Italy after the Seven Weeks' War between Austria on one side and Prussia and Italy on the other. Both Franco Zeffirelli and Francesco Rosi, later accomplished film and theater directors in their own right, worked as Visconti's assistants on the picture. The novella is written in the form of a private diary, narrated in first person by Countess Livia (she is from Trento, not Venice like in the film). Visconti focused on the main plot, deleting the diary subplot and the character of Gino entirely. One of these items ships sooner than the other. He asks her for more money to bribe the army doctors into keeping him off the battlefield; Livia complies, giving away all of the money she was holding for Roberto, who intended to supply it to the partisans fighting the Austrians. Roger Ebert gave it four out of four stars, listing it as one of his "Great Movies. After forcing her to sit and drink with the prostitute, Franz brutally throws Livia out of his rooms. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Reviewed in the United States on July 21, 2007. Learn how and when to remove this template message, Italian National Syndicate of Film Journalists, https://en.wikipedia.org/w/index.php?title=Senso_(film)&oldid=982292094, Films with screenplays by Suso Cecchi d'Amico, Films set in the Kingdom of Lombardy-Venetia, Articles needing additional references from March 2019, All articles needing additional references, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 October 2020, at 07:59. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Restoration funding provided by Gucci, The Film … This lush, Technicolor tragic romance from Luchino Visconti (Le notti bianche, The Leopard) stars Alida Valli (The Third Man, Eyes Without a Face) as a nineteenth-century Italian countess who, amid the Austrian occupation of her country, puts her marriage and political principles on the line by engaging in a torrid affair with a dashing Austrian lieutenant, played by Farley Granger (Rope, Strangers on a Train). The film pushes Livia's story into the background and gives more detail to the war itself while introducing a new subplot about Livia's nationalist cousin, Roberto Ussoni, who leads a rebellion against the Austrians. Previous page of related Sponsored Products. Livia Serpieri, an Italian countess, unhappily married to a stuffy older aristocrat, witnesses this and tries to conceal the fact that her cousin Marquis Roberto Ussoni has organized the protest. Teatro La Fenice wird von unzähligen Kerzen beleuchtet, die Szene ist farbenfroh, opulent. It's impressive, but not up to the best of domestic three strip. There is also a booklet featuring an essay by filmmaker and author Mark Rappaport and an excerpt from Granger's autobiography, Include Me Out.[2]. Wie das Publikum. Another fantastic Visconti film. Restored by StudioCanal, Centro Sperimentale di Cinematografia-Cineteca Nazionale, and the Cineteca di Bologna at L’Immagine Ritrovata. Criterion gives us another opulent masterpiece from Luchino Visconti to follow their splendid release of IL GATTOPARDO (THE LEOPARD). The blu-ray has a rich, Technicolor density that beautifully captures the evocative, lush location photography by Guiseppe Rottuno, and is another splendid restoration of classic Italian cinema, under the supervision of Rottuno and Martin Scorsese.

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